BucketOrange Magazine

#PopLaw: Do You Need Permission To Cover A Song Live?

Caroline Foley — Mon, 28 Nov 2016 06:22:39 +0000

I always look forward to a Friday night of live music especially when it involves listening to covers of my favourite songs, like The Kooks’ ‘Naïve’ or Bon Iver’s ‘Skinny Love’ at a local café.

What didn’t cross my mind, until recently, is how performing a cover of another musician’s song may actually be against the law.

Copyright Protection Of Songs

There is no need to register a composition to protect your creative genius – when you write a score or record a home demo, copyright automatically steps in and gives you exclusive rights and protections. It does not matter if your song is the next number one hit or if you struggle to get your mum to listen to it:

If you created the music, Australian copyright law protects it.

This protection comes in many different forms, giving copyright owners a number of exclusive rights to use and perform creative works, including the right to perform your music in public. Copyright law protects both the score and lyrics of a song meaning that Justin Vernon the writer and composer of ‘Skinny Love’, for example, has the exclusive right to perform his song in public.

Notwithstanding that this is unambiguously the state of the law in Australia, I found myself listening to this song being performed live by another artist. How is this possible? Do you need permission to cover a song live?

What Musicians Need To Know

For all musicians, copyright law is something that you need to be aware of and to understand.

Being aware of your personal rights as a musician is not only important to defend against unauthorised use of your own songs, but also to make sure that you do not unwittingly infringe the creative rights of another artist.

To perform a song in public, you must be granted a licence. Performing a cover without a music licence is a breach of Australian copyright law.

The same principle applies to businesses who wish to play background music within a restaurant or shop. Without a licence, playing a song to the public is an infringement of the rights of the musician and copyright owner.

Obtaining A Music Licence

In Australia, a number of copyright collecting societies provide music licences and distribute royalties to the copyright owners.

For musicians looking to play gigs, the Australasian Performing Right Association (APRA) is the best place to start. Even if you are performing a free show or participating in a charity event hosting free live concerts you must still obtain a licence.

For businesses who wish to play background music, the Phonographic Performance Company of Australia (PPCA) provides a blanket licence that ensures your business complies with the law, however, it is also necessary to obtain a licence from APRA. Alternatively, you can seek permission from individual artists and copyright owners but this method can be onerous.

When Your Song Is Performed By Another Artist

What happens when someone performs your song, or a substantial part of it, without your permission?

Seek advice on whether you have a solid claim for copyright infringement. The Australian Copyright Council has a free online legal advice service which can help you work this out.
If your work is being administered by a collecting society, such as APRA, notify your relevant body as soon as possible after you become aware of the possible infringement.
Contact the infringer. Let them know that you are the owner of the music and that they infringing your copyright by using your music without your permission and without paying for a licence.

You can do this with an informal email or an initial letter of demand that asks the performer to stop infringing your copyright without a relevant licence.

Before sending a letter of demand, or making any claims that someone has infringed your copyright, however, it is critical that you seek legal advice. If you send a threatening letter and the other musician has not actually infringed your copyright, this can be considered a groundless threat, meaning that the person you have accused of infringing your copyright can sue you for making an unsubstantiated threat of legal action.

4. If the above avenues are not successful, as a last resort, you may decide to take the matter to court. If you are successful, the court may order an injunction to stop the infringement of your copyright or make an order that a sum of money (damages) be paid to you.

At The End Of The Day

The musicians behind the songs we know and love – the songs that move us, that make us feel and make our lives infinitely better – need to be protected, supported and credited by other artists, individuals and businesses. The only way artists can continue to enrich our lives is through greater respect, awareness and compliance with the moral and economic rights to their music.

How often do you perform covers as part of your set list? Have you considered the copyright implications? Let us know in the comments!

Further Information

Arts Law Centre – for more information on your rights as a musician and access to legal professionals specialising in copyright law.

To learn more about your rights as a musician visit:

Music Rights Australia

To find safe and licenced content online visit:

Digital Content Guide

For a list of legal digital music content providers in Australia and internationally visit:

Pro Music

To get in touch with a legal professional specialising in entertainment law visit:

Marque Lawyers (NSW)
Creative Legal (WA and Vic)
Studio Legal (Vic)
Media Arts Lawyers (NSW and Vic)
Shaun Miller Lawyers (Vic)
Simpsons Lawyers (NSW)
Sanicki Lawyers (Vic and Qld)
McCormicks (Qld)

Mark Ronson And Bruno Mars “Funked Up” (Again) Over Copyright Claim

bucketorange — Tue, 01 Nov 2016 04:39:08 +0000

In the latest music industry lawsuit to hit headlines, Bruno Mars and Mark Ronson are being sued for copyright infringement by 80s electro-funk band Collage, according to TMZ.

Collage claims that the hit track “Uptown Funk” released by Bruno Mars and Mark Ronson in 2014 is a thinly veiled replica of Collage’s 1983 hit “Young Girls” and that the duo reproduced the song’s rhythm, harmony, melody and structure.

It’s not the first time Ronson and Mars have faced legal action over “Uptown Funk”. Earlier this year, The Sequence argued that their 1979 song, “Funk You Up” had been copied, but did not pursue legal action. Last year, writers from The Gap Band successfully joined the list of songwriting credits on “Uptown Funk” for its similarities to their 1979 hit “Oops Upside Your Head.”

According to the complaint (via Pitchfork)

Upon information and belief, many of the main instrumental attributes and themes of “Uptown Funk” are deliberately and clearly copied from “Young Girls,” including, but not limited to, the distinct funky specifically noted and timed consistent guitar riffs present throughout the compositions, virtually if not identical bass notes and sequence, rhythm, structure, crescendo of horns and synthesizers rendering the compositions almost indistinguishable if played over each other and strikingly similar if played in consecutively.

Mars and Ronson have previously listed early 1980s Minneapolis electro-funk soul music as among key influences that inspired the song “Uptown Funk.”

Collage are seeking damages and profits.

Listen to side-by-side comparisons of the two songs below:

Too close to call? You be the judge.

h/t Pitchfork.

Further Information for Musicians

To find out more about your options in Australia where another musician infringes your copyright:

Legal Rights Where Your Song Is Used Without Permission

#PopLaw: What Are Your Legal Rights If Your Song Is Used Without Permission

Amy Thomasson — Tue, 18 Oct 2016 10:10:28 +0000

We are lucky to live in a country where copyright protection is automatically afforded to creative works, a saving grace that makes Australia’s copyright law imperfections almost palatable.

For musicians, the stakes can be high when it comes to copyright infringement. Contrary to what many Australians may think, there is no such thing as the innocent use of a song, nor is it a ‘victimless crime.’ Most artists derive much of their annual income from royalties, so when an individual or corporation uses a song without permission, without a music licence or without paying royalties, it deprives that artist of a reliable source of revenue.

For Australian musicians, if someone uses your song without your permission it is not only an infringement of your moral rights as a creator of that work but also your economic rights.

So, what are your legal options if you discover someone using your song without your knowledge or permission?

Copyright And The Music Industry

In any situation where your music is broadcast, performed or reproduced, you have a right to royalties.

There are three main situations where copyright infringement of your music can occur.

Where a song is used by another person, or corporation, without your permission and without paying a music licence.

As recently as last year, NSW Premier Mike Baird unwelcomely discovered that even politicians are not impervious to making copyright infringements.

Baird found himself in hot water over the unauthorised use of R.E.M’s song ‘Everybody Hurts’ in a YouTube take-off of Jimmy Kimmel’s Mean Tweets series. Baird made use of the track without seeking permission or paying a music licence. YouTube removed the clip after Warner Chappell, the band’s publisher, made a copyright claim overnight.

2. Where another musician uses a substantial part of your song without your knowledge or permission and without paying for a music licence.

For example, by using a substantially similar melody, key, beat, harmony or song structure.

In 2010, Men at Work songwriters Colin Hay and Ron Strykert were involved in a high-profile, expensive and drawn out case over the similarities between their famous song ‘Land Down Under’ and the flute line in the children’s song ‘Kookaburra Sits in the Old Gum Tree.’ The Federal Court’s decision in favour of Larrikin Music (the copyright owners of ‘Kookaburra’) reinforced that musicians can be liable for plagiarising a substantial part of another musician’s work without approval.

3. Where another musician samples part of your song without your permission and without paying a music licence.

Vanilla Ice became the centre of a copyright infringement claim for sampling Queen & David Bowie’s ‘Under Pressure’ in his hit song ‘Ice Ice Baby’ without consent and without a music licence.

The case was settled out of court as it was clear that Vanilla Ice had merely altered the rhythm of the baseline in an effort to avoid giving credit, paying royalties, seeking permission and a music licence.

A Run-Down Of Your Rights

As a musician, you have three main rights:

Reproduction

This allows you to reproduce the music you have created in any format.

2. Performance and communication

This right is exercised whenever your music is broadcast on TV or radio, when you perform a song live or distribute your music on the internet.

3. Adaptation

This protects your status as the sole person who can create derivative works, such as music sampling, unless another person has your permission or a licence to do so.

As a creator of music, you not only possess copyright ownership of the music itself but also in the lyrics and any sound recording of your music.

You also own moral rights to your music, including the right to have your work attributed to you by name, the right to stop anyone else attributing your work to them and the right to protect your music from being used in a way that hurts or damages your reputation.

As An Artist, What Does This Mean For You?

If you discover that someone is using your musical work without your permission, you have the right to seek recompense.

Here’s what you can do to stick it to the infringer:

Firstly, identify who used your song without your permission.

If it is a small team of indie filmmakers or school students making a project for their media class, it may be wise to let it go and take a ‘give-a-little get-a-little’ approach.

On the other hand, if it is a large corporation or mainstream media outlet who is profiting from your blood, sweat, and tears without a licence and without paying you the royalties to which you are entitled, it may be worthwhile taking things further and seek a legal remedy.

You may wish to seek an injunction, which prevents any further unauthorised use of your music, or damages as compensation for the loss you have suffered as a result of the infringement. In either of these scenarios, you will need to pursue legal advice from a lawyer who specialises in entertainment or copyright law.

They will advise you on your rights, whether your claim is worth pursuing, the best course of action based on your circumstances and possible remedies you may be awarded based on the loss you have suffered.

Secondly, ascertain how much of your song has been used.

Copyright is infringed only where a substantial part of your copyrighted music is used without your permission, and where this infringement is not covered by any of the fair dealing exceptions.

The Copyright Act balances your rights as the copyright owner with the general public allowing the general public to use a substantial part of copyright material without first seeking your approval. This only applies for certain approved purposes called ‘fair dealing’ defences.

This means that if someone uses your music for any of the below purposes, then they have a defence to your copyright claim:

research or study
criticism or review
reporting news
giving professional legal advice; and
parody or satire

If the copyright infringement does not fall within any of the above purposes, it is important to contact the person whom you believe has infringed your copyright as soon as possible after you become aware of the infringement.

Thirdly, you may wish to send an initial letter of demand.

Your letter should make that person aware that you own exclusive rights to your music, that they have infringed your rights, and how you would like the situation resolved. You should also include a date that you would like to receive a response by, and that you have the right to commence legal proceedings if an adequate response is not received within that timeframe.

Before sending your letter, it is not only important that you consult a legal professional, but also that you consider the outcome you would like to achieve.

For example, would you like the person who has infringed your copyright to:

Simply stop using your music? This is a simple request if your music is being used on a website, for example, as it can be removed quickly.

Continue using your music, but to pay a licence fee?

Pay compensation to you for the loss you have incurred as a result of the unauthorised use of your music?

The Arts Law Centre of Australia has a downloadable template of a letter of demand.

Groundless Threats

Before sending a letter of demand, or making any claims that someone has infringed your copyright, it is critical that you seek legal advice.

If you send a threatening letter and the person has not actually infringed your copyright, this can be considered a groundless threat. This means that the person you have accused of infringing your copyright can turn around and sue you for making an unsubstantiated threat of legal action.

What Can I Do To Protect My Music In The Future?

As a first step, you can set up a Google Alert to receive daily inbox alerts whenever your music is being mentioned or used on the internet. This will help you to keep track of who is using your music, when it is happening and where it is happening without your consent.

To protect economic rights to your music, you can register with a collecting society.

These bodies oversee payment of royalties, look after your copyright and grant permission for others to use your songs (either by performing them or recording them) if they pay a fee.

Australia has a few main collecting societies:

Australasian Performing Rights Association (APRA) which covers situations where another artist wishes to play your songs live.
Australasian Mechanical Copyright Owners Society (AMCOS) which covers instances where someone wishes to make their own recording of your song.
Phonographic Performance Company of Australia (PPCA) or the Australian Record Industry Association (ARIA) which covers sound recordings.

You may also wish to consider getting an International Standard Recording Code (ISRC). This is the international identification system for sound recordings and music video recordings which provide a method to automatically identify recordings for royalty payments. In Australia, this is administered by ARIA.

Conclusion

The area of copyright law can be a minefield at the best of times.

For musicians, the first step to protecting your rights is understanding them. Knowing what your options are if you believe they have been infringed by an individual or corporation, and when to seek legal advice, is the best way to secure a favourable outcome.

Bear in mind that there are time limits for commencing legal proceedings in copyright cases, so it is important to see a lawyer as quickly as possible if you suspect your copyright has been infringed.